register onlineall workshops
  keynotes  
         
  Alain Findeli, Montréal
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  Maren Lehmann, Halle and Witten-Herdecke (Germany)
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  René Spitz, Cologne
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  Ranulph Glanville, Melbourne and Southsea (UK)
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  workshops  
         
  Nigan Bayazit, Istanbul Technical University, Silvia Pizzocaro, Politecnico Di Milano
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  John Broadbent, University of Technology, Sydney
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  Eduardo Corte-Real, UNIDCOM/IADE
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  Ranulph Glanville, Melbourne and Southsea (UK)
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  Krishnesh Mehta, National Institute of Design
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  Peter Friedrich Stephan, Academy of Media Arts, Cologne
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  speakers  
         
  Angel Arbonies, Steve McGregor*, Principal Researcher
»New Generation Product Design based on complexity Principles«
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  Argyris Arnellos, Thomas Spyrou*, Univ. of the Aegean - Dept. of Product and Systems Design Engineering
»A Framework Supporting Creativity in the Design Process: A Systems-theoretic Perspective«
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  Sybs Bauer*,
»(r)evolutionary morphology«
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  Brigitte Borja de Mozota*, Université Paris X Nanterre
»The complex system of creating value through Design:Using the Balanced Scorecard model to develop a system view of design management from a substantial and financial point of view«
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  Suzan Boztepe*, Institute of Design, IIT
»User-Value-Based Product Adaptation«
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  Vasco Branco, Fernando Lisboa*,
»Designing Peirce: the idea of design in Charles S. Peirce semiotics«
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  John Broadbent*, University of Technology, Sydney
»Towards an evolutionary ecology of design: evolutionary considerations«
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  Fraser Bruce, David Townson*, University of Dundee
»New approaches for identifying and understanding complexity for product innovation success«
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  Daniela Büchler*, Staffordshire University
»A Design-relevant Model for Product Analysis: Why the existent is not enough«
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  Glen Carlson*,
»Emergent Aesthetics«
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  Hernan Casakin, Juval Portugali*, ESLab (Environmental Simulation Lab) Department of Geography and the Human Environment Tel Aviv University
»The design and dynamics of cities as self-organizing systems«
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  Pai-Ling Chang*,
»Investigating Interactivity: Exploring the Role of User Power through Visual Interpretation«
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  Wen Huei Chou*,
»Visualizing design history: an analytical approach«
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  Rosan Chow*, HBK Braunschweig
»Evolution, Epigenesis and/or Recycling in Design Theorizing«
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  Eduardo Corte-Real*, UNIDCOM/IADE
»Reading the Far Side of Design, Learning from Gary Larson MAterial Culture«
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  Caroline Davey, Andrew Wootton*, The University of Salford
»Design for the Surreal World? A New Model of Socially Responsible Design«
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  Lionel Dean, Paul Atkinson*,
»Evolving individualised consumer products«
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  Michael Dickinson*, University of Newcastle, Australia
»Design: A Harnessing of Unintelligible Causes«
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  Batel Dinur*, PhD candidate
»Interweaving Architecture and Ecology - A Theoretical perspective«
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  Peter Downton*, School of Architecture + Design, RMIT University
»Design Noise, Liminality and Non-Knowledge«
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  Carlos A. M. Duarte, Tessaleno Devezas*, UNIDCOM/IADE
»Rhythms in Industrial Design: Kondratieff Wave Concepts«
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  Martyn Evans*, University of Salford
»I-SPY: Utilising Forecasting and Scenario Planning for Design Futures«
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  Alessandro Faria, Jose Augusto Marinho*,
»FUTURE PROJECTIONS CHAMBER FOR A SUSTAINABLE WORLD - An approach to transdisciplinary methodology for the instruction of design«
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  Daniel Formosa, Deana McDonagh*, Smart Design
»I wasn't that comfortab;e anyway«
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  Victor Frostig*,
»Holistic-Ecological Culture Design«
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  Lorraine Gamman, Tim Pascoe*,
»Design Out Crime? Reviewing Practice-based Models of the Design Process«
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  Oliver Gerstheimer, Christian Lupp*, chilli mind GmbH & University of Kassel, Germany
»Design Migration and Migration Design in the Mobile ICT«
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  Elisa Giaccardi, Gerhard Fischer*, Center for LifeLong Learning and Design (L3D)
»Creativity and Evolution: A Metadesign Perspective«
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  Naomi Gornick*, University of Dundee
»The Curious Case of Changing Management Imperatives and their Effect on Design Activity«
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  Scott Gowans, Richard Wright*, School of Architecture University of Lincoln United Kingdom
»Desirn Generators: The Obvious and the Immaterial«
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  Harald Gründl*,
»Ritual Design. An Introduction.«
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  hans kaspar hugentobler*, human-centered innovation planning
»Design Planning Education and the adaptive economy: towards the next generation of a methodological framework«
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  Orhan Irmak*, Istanbul Technical University
»Applying the Futures Studies Approach to Design«
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  Sabine Junginger*, Carnegie Mellon University
»A Different Role for Human-Centered Design within the Organization«
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  Dino Karabeg*, University of Oslo
»Design is the Alternative to Tradition«
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  Toni-Matti Karjalainen*, Helsinki University of Technology
»Semantic Mapping of Design Processes«
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  Jon Kolko, Heather Bailey*, Savannah College of Art & Design
»New Techniques in Industrial Design Education«
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  Lia Krucken*, Universidade Federal de Santa Catarina - Brasil and Politecnico di Milano (Italia)
»Design and the valorisation of agricultural biodiversity products - a case study«
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  Kari Kuutti*, Univ. Oulu
»Defining an Object of Design by the Means of the Cultural-Historical Activity Theory«
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  John Langrish*, Salford University
»Evolutionary Design - Ten Years On. Memetics and Natural Selection«
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  pei-ling lee*, Chinese Institute of Desilgn
»The Development of Female Products¡Xin the Perspective of Yin-Yang Aesthetics«
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  Philippe Lemay*, University of Montreal
»On the complexity of patterns languages«
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  Susan Liepert, Stan Ruecker*, University of Alberta
»Voluntary and irrational action: the implications of body theory for design research«
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  Chung-Hung Lin*,
»The development of a planning framework for museum exhibition design«
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  Maria Cecilia Loschiavo dos Santos*, University of Sao Paulo
»DESIGN FOR SOCIAL RESPONSIBILITY: Perspectives on students’ work«
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  Ranjan M P*, National Institute of Design
»Creating the Unknowable: Designing the Future in Education«
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  Vladimir Mako*, School of Design, Victoria University of Wellington,New Zealand
»Design Research and Aesthetic Intention«
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  Ben Matthews, Brendon Clark*, Mads Clausen Institute
»Practical action as inquiry – facilitating appropriation in a design handover event«
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  Krishnesh Mehta*, National Institute of Design
»Neurophysiology of Design Education«
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  Rudi Meyer*, Nova Scotia College of Art and Design
»Large Systems Theory, Actor Network Theory and Relations in Design«
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  Anders Michelsen*, Department of Cultural Studies and the Arts, Section for Art History, University of Copenhagen
»UNKNOWLEDGE: ON THE IMAGINARY OF THE ARTIFICIAL?UNKNOWLEDGE: ON THE IMAGINARY OF THE ARTIFICIAL?«
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  Ian Montgomery*, Senior Lecturer
»The dynamics of product perception: language, memory, concepts«
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  Nicola Morelli*, School of Architecture and Design, Aalborg University
»Design in new industrial contexts: shifting design paradigms and methodologies«
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  Ulla-Maaria Mutanen*, University of Helsinki, Center for Activity Theory and Developmental Work Research
»Developing concepts of design activity«
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  Sinan Odekan, Nigan Bayazit*, ITU Department of Industrial Product Design
»COGNITIVE INTERACTION BETWEEN 2D AND 3D DESIGNING IN THE EVOLUTION OF DESIGN«
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  Maristela Mitsuko Ono*, Federal Center of Technological Education - Paraná / Faculty of Architecture and Urbanism of the University of São Paulo
»Design and culture: essentially interlinked, plural, variable, and beyond the predictable«
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  A. Can Ozcan*,
»H2O IS NOT WATER EVERYWHERE: CULTURES AND EVOLUTIONARY DESIGN PRACTICES ON WATER«
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  Rafael Perrone, Daniela Büchler*,
»An investigation of futurist architectural design«
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  Silvia Pizzocaro*, POLITECNICO DI MILANO
»Darwinian Metaphors. Objects and Technical Systems in Evolutionary Perspectives«
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  Tiiu Poldma*, University of Montreal
»Integrating Theory and Practice in an Interdisciplinary Design Studio Class Through the Exploration of Phenomenological Lived Experience«
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  Fátima Pombo, Katja Tschimmel*, University of Aveiro
»Sapiens and Demens in Design Thinking - Perception as Core«
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  martin prominski*, university of hannover
»designing landscapes as evolutionary systems«
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  Mohammad Razzaghi, Mariano Ramirez Jr*, The University of New South Wales (UNSW)
»The influence of the designers’ own culture on the design aspects of products [Framework]«
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  Wolf Reuter*, University of Stuttgart
»Anarchic nets, controlled ignorance, phronesis and related concepts in dealing with complexity in design and planning«
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  Howard Riley*, Swansea School of Art & Design
»Transformational Drawing: The Application of a Systemic-Functional Approach to the Teaching of Visual Communication«
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  alec robertson*, de montfort university
»2D and Paper to 3D and Pixels: the Research-Exhibition and its On-line Media«
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  Rui Miguel Roda, Silvia Pizzocaro*, Politecnico di Milano
»Cities as Systems: Reinventing Functions for Abandoned Areas«
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  Paul Rodgers*, Napier University
»Reflecting on Reflection: Reflective Patterns of Design Students«
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  Axel Roesler, David D. Woods*, cognitive systems engineering laboratory, the ohio state university
»Inventing the Future of Cognitive Work: Navigating the 'Northwest Passage'«
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  Jon Rogers, Rory Hamilton*, Univserity of Dundee
»Surfaces In Mind«
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  Mark Roxburgh*, Faculty of Design Architecture and Building, University of Technology Sydney
»Seeing and Seeing Through the Crisis of the Artificial«
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  Stan Ruecker, Zachary Devereux*, U of Alberta
»Comparing Issue Crawling and Just-in-Time Texts about Information Design and Visualization Research«
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  Keith Russell*, University of Newcastle
»The Existential Delights of the Designer: Towards a Notion of Works«
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  Stefan Rötzel*, Universität Kassel
»Existence and Design«
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  Harry S.-Ours*, Montgomery College
»Moisaics, Minarets and Multimedia Design: Reflections on Western-style Design Education in the Middle East«
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  Fatina Saikaly*, Politecnico di Milano
»Approaches to Design Research: Towards the Designerly Way.«
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  Elizabeth Sanders*, Make Tools, The Ohio State University
»Information, Inspiration and Co-creation«
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  SECIL SATIR, PINAR ERKAN*, IGIP, ICSID(ITU)
»Design for SMEs During Training«
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  Markus Schein, Gregor Zimmermann*, -
»Sweet Greens - An Approach to Computer Generated Architectural Design«
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  Pam Schenk*, Gray's School of Art, Robert Gordon University, Nanyang University, Singapore
»The Why and How of drawing: A 20 year shift in design procedures and priorities«
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  Klaus Schwarzfischer*, Apoplekt Systemsemiotik & Kommunikations-Design
»A Systemsemiotic Approach to Design.«
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  Paulo Souza, Cecilia Loschiavo*, University of the State of Bahia
»Design for Social Responsibility in Brazil: methodological perspectives«
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  Matthias Stabe*,
»Innovation mediated - a Babylonian exercise ?«
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  Cameron Tonkinwise*, University of Technology Sydney
»design + evolution = eugenics«
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  David Townson*, University of Dundee
»Mapping design strategy in complex organisational systems«
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  Ahmet Zeki Turan*, ITU Faculty of Architecture, Department of Industrial Design
»A Holistic Study on Understanding the Terrain of Design – Emphasizing Optimum Sustainability«
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  Louise Valentine*, School of Design, University of Dundee
»Observing Observations: the reflective use of research methods in a study of internal rhetoric«
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  Paul van der Lem, Prayoot Wongpang*, Faculty of Art, Media and Design University of the West of England, Bristol
»Participative design«
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  Johann van der Merwe*, Cape Technikon
»The Construction of a Dancing, Dangling Conversation«
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  Uwe von Loh*,
»Design Processes as Communication of Anticipative Models«
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  Daniel C. Wahl*, University of Dundee, The Centre for the Study of Natural Design
»Eco-literacy, Ethics, and Aesthetics in Natural Design«
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  Stuart Walker*, Faculty of Environmental Design, University of Calgary
»Unmasking the Object - a critique and reframing of design for sustainability«
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  Jennifer Whyte*, Imperial College London
»Evolutionary Theories and Design Practices«
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  Wendy Wong*, York University
»Design Identity of Hong Kong: Colonization, de-colonization, and«
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  John Wood*,
»(How) Can Designers Enhance Organic Synergy Within Complex Systems?«
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  Elizabeth Wright*, Central saint Martins College of Art & Design, University of the Arts, London
»Reflecting on Design for Social Need.«
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  Artemis Yagou*, AKTO art and design
»Rewriting Design History from an Evolutionary Perspective: Background and Implications«
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  Victor Zwimpfer*,
»Face to Face with Artefacts«
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  Leif Östman*, School of Architecture, Stockholm.
»Design theory is a philosophical discipline - Reframing the epistemological issues in design theory«
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  *paper accepted  
   
         
  Here you'll find our presentation guidelines